I started out as a designer making album covers. I was moved by Cunningham's All is Full of Love to learn Flame and quickly became a lead artist with a roster of clients. After a number of years running sessions in the suite, I set out to broaden my mastery of the image in the physical world. I worked in Buenos Aires on fine art installations, and became an award-winning photographer (TIME Magazine, Fast Company) and a cinematographer (HBO's Going Clear, Ivory Tower). I refined my eye for lighting, composition and story. Excited by the rapid developments in CG, I expanded my skills by learning Nuke.
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